Katelyn joins conductor Andrew Megill and the Music of the Baroque chorus in a beautifully expressive program. From intricate counterpoint and surprising dissonance of Machaut’s Kyrie and Andrieu’s Armes, amours to the Renaissance splendor of Ockeghem, Josquin, and Byrd, the evolution of choral music unfolds. Tallis’s breathtaking 40-part motet, Spem in alium (Hope in no other), soars alongside Monteverdi’s highly expressive madrigals and Bach’s deeply moving Komm, Jesu, komm and Jesu, meine Freude. Tickets and more info.